
Part four of the ongoing Riot Grrrl dialogue. (Photo of Bikini Kill taken by Erin Smith on July 4, 1991 for her fanzine Action Teen! Used with permission.)
4. Considering the conventions, structures and pressures of British rock music journalism in the early 1990s and what you knew about riot grrrl at that point, how did you and Sally figure out a way to make riot grrrl comprehensible for Melody Maker readers?
Um, that first Riot Grrrl cover... the picture of the two females fighting, covered in mud, drawn from one of the Re:Search books series of Incredibly Strange Music or something. The hand-lettering on that cover is actually my own, done in such a way to make it look more ‘fanzine’. I chose that image – and it’s a very strange image, in retrospect – cos I knew it would make an impact. ‘Do you wanna play?’ I believe was the tag-line. Music press readers are far more intelligent than editors and publishers give them credit for – if they weren’t, they probably wouldn’t be reading the music press. They like to think of themselves as ‘cutting edge’. So you appeal to that side of their tastes: our editor approved of my championing of Riot Grrrl because he understood (male-dominated) punk rock and he thought it was punk rock for females. Of course it wasn’t.
Sally supplied the ideas and I – being by some distance the most loved and loathed music critic at the UK music press at the time – supplied the focus. We tried to leave them in the originators’ voices as much as possible. We tried to make the stories entertaining and exciting, and also played the ‘alienation’ card as much as possible: if you’re not with us, you’re against us... but if you’re against us, you’re a total fucking square. I was in a position of power at MM at the time, my presence there was adding to sales and so of course others would listen if I said something was a good story.
It was rumoured at the time that the video-snatch cover of Niki from Huggy Bear performing live on The Word, emblazoned with the slogan “This is happening without your permission!” – what a great line! – was the best-selling non-promoted MM issue of the Nineties. I think I made that rumour up, but who knows? Sally’s cover feature on Huggy Bear's television appearance was fascinating. It totally wound up male – and female – critics at the music press up, by being straight reportage. They were expecting something way more sensationalist, but that’s cos they were still thinking in terms of Riot Grrrl being the female punk, which it wasn’t – cos punk was defined on male terms, and Riot Grrrl defined on female.
Looking back, I’m not sure we particularly cared whether it was comprehensible or not. I knew I certainly wanted to alienate many of them. I can’t speak for Sally (obviously). She’s the one who should be talking about this.
Oh... and duh. The phrase “Riot Grrrl” is incredibly emotive. It’s incredibly easy to latch onto, even if you have no knowledge of what lies behind it.
You can find Part 1 of this series here.
You can find Part 2 of this series here.
You can find Part 3 of this series here.
You can find Part 5 of this series here.
You can find Part 6 of this series here.
You can find Part 7 of this series here.
You can find the follow-up interview in this series here.
You can find the entire series collected together here.

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